Images from two movies I saw yesterday.
1) Let the Right One In, theater
according to IMDB (is it true or not?): The title of the film (as well as the novel upon which it was based) refers to the Morrissey song "Let the Right One Slip In".

2) Brand Upon the Brain, DVD (thanks, Criterion!)
bizarre but thankfully engaging silent film with gleeful overnarration by Isabella Rosellini.



helpful comments from an IMDB poster:
Bizarre to such a degree that, in the demented world shown here, even the most impossible and incredible occurrences can be accepted and taken for granted as part of the plot -- after the first five minutes or so, with the atmosphere of mad-scientist exploitation schlock firmly established, the audience were apparently taking the film on its own terms, over-the-top intertitles, tendentious voice-over, feverish cutting and all.
...
The difference is that this picture engages the audience, creates meaningful characters and actually tells a coherent story with emotional content, wild and lurid or not. For all its parody and sheer weirdness it manages to succeed on a cinematic level rather than as an abstract avant-garde statement. And it manages to get us to swallow some quite incredible scenarios with a straight face.
the trailer.
1) Let the Right One In, theater
according to IMDB (is it true or not?): The title of the film (as well as the novel upon which it was based) refers to the Morrissey song "Let the Right One Slip In".

2) Brand Upon the Brain, DVD (thanks, Criterion!)
bizarre but thankfully engaging silent film with gleeful overnarration by Isabella Rosellini.




helpful comments from an IMDB poster:
Bizarre to such a degree that, in the demented world shown here, even the most impossible and incredible occurrences can be accepted and taken for granted as part of the plot -- after the first five minutes or so, with the atmosphere of mad-scientist exploitation schlock firmly established, the audience were apparently taking the film on its own terms, over-the-top intertitles, tendentious voice-over, feverish cutting and all.
...
The difference is that this picture engages the audience, creates meaningful characters and actually tells a coherent story with emotional content, wild and lurid or not. For all its parody and sheer weirdness it manages to succeed on a cinematic level rather than as an abstract avant-garde statement. And it manages to get us to swallow some quite incredible scenarios with a straight face.
the trailer.